Rainie Oet

some favorites you can read online

 

The Room Divider” - Puerto Del Sol 2019 Poetry Contest Winner (from an unpublished manuscript titled Fast Fire)

On the Table with the Half-Eaten Birthday Cake” - The Rupture (2019, poem from Glorious Veils of Diane)

(Mother) Sinking, Ripples Out” - Radar Poetry (2019, poem from Glorious Veils of Diane)

The Playground is Alive” - Strange Horizons (2022, poetry)

We of the Water Chambers” - Press 53 Flash Fiction Contest Winner (2018, also from Fast Fire)

 

other publications (abridged)

 

The Adroit Journal, 2012 and 2014 (poetry), and 2021 (review)

Bamboo Ridge, 2022 (poetry)

Barrelhouse, 2021 (review)

Bat City Review, 2019 (translation)

Bennington Review, 2019 (poetry)

Big Muddy, 2019 (poetry)

Blackwbird, 2019 (translation)

Boulevard, 2019 (poetry)

Cimarron Review, 2020 (translation)

Colorado Review, 2017 (poetry)

Cosmonauts Avenue2018 (creative nonfiction) and 2021 (poetry)

Cream City Review, 2013 (poetry)

Denver Quarterly, 2019 (poetry)

Door Flung Open, 2024 (essay)

Driftwood Press, 2019 (1) and 2019 (2) (poetry)

The Forge Literary Magazine, 2019 (creative nonfiction)

Fugue, 2013 and 2019 (poetry)

Harpur Palate, 2013 (poetry)

Hayden's Ferry Review, 2018 (graphic narrative)

Hobart, 2018 (1, graphic narrative) and 2018 (2, poetry and art)

Indiana Review, 2019 (poetry)

Jet Fuel Review, 2012 (poetry)

The Journal, 2019 (poetry)

jubilat, 2019 (poetry)

Juked, 2013 (poetry)

The Los Angeles Review, 2020 (fiction)

Michigan Quarterly Review, 2019 (translation)

Mid-American Review, 2019 (poetry)

Minnesota Review, 2019 (translation)

The Monarch Review, 2013 (poetry)

Muzzle Magazine, 2012 (art)

Nashville Review, 2018 (translation)

The Offing, 2019 and 2020 (translation)

OmniVerse, 2020 (poetry)

Outlook Springs, 2019 (creative nonfiction)

Palette Poetry, 2019 (poetry)

Phoebe, 2019 (poetry)

The Poetry Review (UK), 2016 (1), 2018 (2), and 2020 (3) (poetry)

Radar Poetry, 2019 (poetry)

Redivider, 2013 (art)

RHINO Poetry, 2019 (1: translation) and 2019 (2: poetry)

Ruminate, 2018 (poetry)

Salt Hill, 2021 (review)

Shenandoah, 2019 (graphic narrative)

So to Speak, 2012 (poetry)

Sugar House Review, 2012 (poetry)

Superstition Review, 2011 (art)

Storm Cellar, 2019 (poetry)

Sycamore Review, 2018 (poetry)

Territory, 2019 (hybrid poetry and art, co-created with Ariel Chu)

Waxwing, 2018 (translation)

Wigleaf, 2019 (poetry / micro fiction)

The Yale Review, 2018 (fiction)

Yemassee, 2011 (poetry)